Devil’s Glen

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The idea of “Single Image Narrative” breaks the traditional and linear arrangement of images common in cinema in order to tell a story. It is a crucial difference between cinema and traditional photography. The narrative is concentrated in one frame, allied to our memory to convey a message or several messages crisscrossing.

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“If you are aware of a state which you call ‘is’, or reality, or life; this implies another state called ‘isn’t’, or illusion, or unreality, or nothingness, or death. There it is, you can’t know one without the other. And so, as to make life poignant, it’s always got to come to an end. That is exactly, don’t you see, what makes it lively. Liveliness is change, is motion. And motion is going ‘nnnnnnneeeeeaaw!’, like this. See? They fall out. You can see you are always at the place where you always are, it only keeps appearing to change.” Alan Watts

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Filed ↓ instagram

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Interview by Antonio Senatore. 

Production The Calaveras Studio

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_backstage life

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Where was her greater destiny? one that wasn’t only the plot of a life.

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_there is gold in the air of Summer!

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“The world’s continual breathing is what we hear and call silence.” 
_In The Passion According to G.H.

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“We can be heroes just for one day

we can be us just for one day”

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Untitled

_from “Hibernia”

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Untitled

_from “Hibernia”

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Fergus sees the sea

_from “Hibernia”

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" So as of yet my inner metamorphosis makes no sense. In such a metamorphosis, I lose everything I have had, and what I have had has been myself - all that I have is what I am. And what am I now? I am: a standing in the presence of fear. I am: what I have seen. "
~ In “The Passion According to G.H.” by Clarice Lispector.

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